Adam has recorded in most major studios on the planet. London, New York, Paris, Los Angeles.

Adam also suspects that he might have actually spent over half of a quite colourful life in recording rooms and control rooms. A quarter in restaurants and the other bit at home.
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He now works mainly out of his facility in the Santa Monica Mountains. Many scores have been plotted, conceived and recorded there, with supplemental orchestral sessions at Air London, Abbey Road, Sunset Sound or Warner’s LA.
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Adam’s process involves an extensive writing process at the beginning of a project where he will lock himself away and experiment. His main writing instruments are cello, synths and a host of other organic instruments. He will often treat these organic sounds to build a seemingly electronic sounding soundscape that has the indefinable touch and feel of the real instruments. Often scores will be recorded over many such sessions at Adam’s studio. When the sound and concept of a movie suggests an orchestra his classical education and background as an arranger serve well in this complex process of the score.
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His studio is high tech state of the art and minimalist. And surrounded by nature which he now likes a lot.

A few minutes walk from 24/7 Sound where many of his projects have been dub mixed in Dolby Atmos.